{"id":15629,"date":"2026-07-10T06:10:00","date_gmt":"2026-07-10T06:10:00","guid":{"rendered":"https:\/\/www.in-magazines.com\/magazine\/?p=15629"},"modified":"2026-07-10T07:35:13","modified_gmt":"2026-07-10T07:35:13","slug":"chagall-a-loeuvre-volet-ii","status":"publish","type":"post","link":"https:\/\/www.in-magazines.com\/magazine\/sommaire\/inmagazine-45\/chagall-a-loeuvre-volet-ii\/","title":{"rendered":"CHAGALL \u00c0 L\u2019\u0152UVRE – Volet II"},"content":{"rendered":"\n

En 2022-2023, Bella et Meret Meyer, petites-filles de Marc Chagall ont permis l\u2019entr\u00e9e de cent-quarante-et-une \u0153uvres de leur grand-p\u00e8re dans les collections nationales en faisant plusieurs donations exceptionnelles au mus\u00e9e national d\u2019art moderne, Centre Georges Pompidou.<\/p>\n\n\n\n

D\u2019abord montr\u00e9 \u00e0 Paris en 2023-2024, l’ensemble d’\u0153uvres rejoint les cimaises du mus\u00e9e national Marc Chagall o\u00f9 il est pr\u00e9sent\u00e9 en deux volets. Il t\u00e9moigne de la richesse et de la diversit\u00e9 de la cr\u00e9ation de Chagall et propose un parcours en quatre ensembles. Les 41 esquisses et maquettes pour le plafond de l\u2019Op\u00e9ra Garnier, inaugur\u00e9 en 1964, illustrent le processus de cr\u00e9ation d\u2019une des plus ambitieuses commandes publiques de Chagall. Il imagine d\u2019abord sa composition en termes de rythmes color\u00e9s, puis int\u00e8gre une iconographie qui rend hommage aux grands compositeurs qu\u2019il admire et \u00e0 la ville de Paris o\u00f9 il s\u2019installe en 1923.<\/p>\n\n\n\n

Esquisses et \u00e9tudes de projets monumentaux<\/h2>\n\n\n\n

Un deuxi\u00e8me ensemble r\u00e9unit les 64 esquisses des rideaux de sc\u00e8ne et costumes du ballet L\u2019Oiseau de feu sur la partition d\u2019Igor Stravinsky, repris par le Ballet Theater de New York en 1945. Ici, Chagall exp\u00e9rimente la monumentalit\u00e9 dans sa peinture et le mouvement des corps en sc\u00e8ne. Enfin, les 12 c\u00e9ramiques et sculptures, puis les 24 collages, r\u00e9v\u00e8lent la curiosit\u00e9 incessante de l\u2019artiste pour de nouvelles pratiques artistiques dans les ann\u00e9es 1950 \u00e0 1970. Le travail de la terre et de la pierre d\u00e9bute en 1949 lorsqu\u2019il s\u2019installe \u00e0 Vence et qu\u2019il rencontre Serge Ramel, Suzanne et Georges Rami\u00e9 et Lanfranco Lisarelli. Plus tard, entre 1960 et 1970, il d\u00e9veloppe la pratique du collage de papiers et de tissus d\u00e9coup\u00e9s. L\u2019artiste les consid\u00e8re \u00e0 la fois comme des \u00e9tudes pour des projets monumentaux ou comme de pures recherches formelles.<\/p>\n\n\n<\/a>\n","protected":false},"excerpt":{"rendered":"

En 2022-2023, Bella et Meret Meyer, petites-filles de Marc Chagall ont permis l’entrée de cent-quarante-et-une œuvres de leur grand-père dans les collections nationales en faisant plusieurs donations exceptionnelles au musée national d’art moderne, Centre Georges Pompidou. D’abord montré à Paris en 2023-2024, l’ensemble d’œuvres rejoint les cimaises du musée national Marc Chagall où il est… Poursuivre la lecture CHAGALL \u00c0 L\u2019\u0152UVRE – Volet II<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":15630,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2889,1700],"tags":[2958,2959],"yoast_head":"\nCHAGALL \u00c0 L\u2019\u0152UVRE - Volet II - In Magazines<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.in-magazines.com\/magazine\/sommaire\/inmagazine-45\/chagall-a-loeuvre-volet-ii\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CHAGALL \u00c0 L\u2019\u0152UVRE - Volet II - In Magazines\" \/>\n<meta property=\"og:description\" content=\"En 2022-2023, Bella et Meret Meyer, petites-filles de Marc Chagall ont permis l’entrée de cent-quarante-et-une œuvres de leur grand-père dans les collections nationales en faisant plusieurs donations exceptionnelles au musée national d’art moderne, Centre Georges Pompidou. 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